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The exact age and origin of the tradition of making paper hearts is unknown, but the oldest known pleated Christmas hearts were made by the Danish author Hans Christian Andersen in 1860. However, as Andersen's heart has no handle, it seems unlikely it could have been used as a Christmas tree ornament.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Kievan Rus' ornament is a general designation for ornamental patterns characteristic of the culture of Kievan Rus', and partially rooted in its pre-Christian period. There was also influence outside Kievan Rus', in particular in Poland , [ 1 ] Moravia and Scandinavia (see “ § Outside Kievan Rus' ”).
Hoffman, Richard. Decorative Flower and Leaf Designs.Dover Publications (1991), ISBN 0-486-26869-1 Jones, Owen. The Grammar of Ornament.Dover Publications, Revised edition (1987), ISBN 0-486-25463-1
The company Hercules Incorporated developed the first alkaline sizing in the 1950s that made acid-free paper possible. [10] Despite the advances in paper making and the identification of and concern around the brittle book problem, it took decades before the adoption of ANSI NISO Standard Z39.48-1984 - Permanence of Paper for Publications and Documents in Libraries in 1984.
Papier-mâché art work on Madin Sahib Mosque. The papier-mâché technique of using paper pulp for making decorative objects was first brought to Kashmir in the 14th century by Mir Sayyid Ali Hamadani, a Sufi mystic, who arrived to Kashmir along with his followers, many of whom were craftsmen.
In general, these designs begin with a square sheet of paper whose sides may be of different colors, prints, or patterns. Traditional Japanese origami, which has been practiced since the Edo period (1603–1868), has often been less strict about these conventions, sometimes cutting the paper or using nonsquare shapes to start with.
Mosaic border of rinceaux and animals, from the Via Panisperna in Rome, late 2nd - early 1st century BC. In architecture and the decorative arts, a rinceau (plural rinceaux; from the French, derived from old French rain 'branch with foliage') is a decorative form consisting of a continuous wavy stemlike motif from which smaller leafy stems or groups of leaves branch out at more or less regular ...
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