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A Roman Figure-Engraved Glass Bowl. Metropolitan Museum Journal 28, 47–55. Degryse, P., 2014. Glass Making in the Greco-Roman World, Results of the ARCHGLASS Project, Leuven University Press. Dussart, O., B. Velde, et al., 2004. Glass from Qal'at Sem'an (Northern Syria): The reworking of glass during the transition from Roman to Islamic ...
Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing.
Baroque acanthuses on a commode, by André-Charles Boulle, c.1710–1720, walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, and gilt-bronze mounts, Metropolitan Museum of Art Baroque mascaron with acanthuses in the Salon d'Hercule , 1724–1736, designed by Robert de Cotte , Jacques Gabriel
Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be ...
The Engraved Hourglass Nebula (also known as MyCn 18 [2]) is a young planetary nebula in the southern constellation Musca. It was discovered by Annie Jump Cannon and Margaret W. Mayall during their work on an extended Henry Draper Catalogue (the catalogue was built between 1918 and 1924). At the time, it was designated simply as a small faint ...
Apart from shaping the hot glass, the three main traditional decorative techniques used on formed pieces in recent centuries are enamelled glass, engraved glass and cut glass. The first two are very ancient, but the third an English invention, around 1730. From the late 19th century a number of other techniques have been added.
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