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Fitzpatrick scale. The Fitzpatrick scale (also Fitzpatrick skin typing test; or Fitzpatrick phototyping scale) is a numerical classification schema for human skin color. It was developed in 1975 by American dermatologist Thomas B. Fitzpatrick as a way to estimate the response of different types of skin to ultraviolet (UV) light. [2]
The Monk Skin Tone Scale is an open-source, 10-shade scale describing human skin color, developed by Ellis Monk in partnership with Google. It is meant to replace the Fitzpatrick scale in fields such as computer vision research, after an IEEE study found the Fitzpatrick scale to be "poorly predictive of skin tone" and advised it "not be used as such in evaluations of computer vision applications."
Human skin color ranges from the darkest brown to the lightest hues. Differences in skin color among individuals is caused by variation in pigmentation, which is the result of genetics (inherited from one's biological parents ), exposure to the sun, disorders, or some combination thereof. Differences across populations evolved through natural ...
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FERNANDA VAZQUEZ: One of the key things in color analysis that we use during the appointment is the fact that our brains perceive colors differently depending on the other colors that surround ...
Heterophoria is an eye condition in which the directions that the eyes are pointing at rest position, when not performing binocular fusion, are not the same as each other, or, "not straight". This condition can be esophoria, where the eyes tend to cross inward in the absence of fusion; exophoria, in which they diverge; or hyperphoria, in which ...
Prism dioptres. Prism correction is commonly specified in prism dioptres, a unit of angular measurement that is loosely related to the dioptre. Prism dioptres are represented by the Greek symbol delta (Δ) in superscript. A prism of power 1 Δ would produce 1 unit of displacement for an object held 100 units from the prism. [2]
The sodium vapor process (occasionally referred to as yellowscreen) is a photochemical film technique for combining actors and background footage. It originated in the British film industry in the late 1950s and was used extensively by Walt Disney Productions in the 1960s and 1970s as an alternative to the more common bluescreen process.