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The Chi-Rho symbol was used by the Roman Emperor Constantine the Great (r. 306–337 AD) as part of a military standard . Constantine's standard was known as the Labarum. Early symbols similar to the Chi Rho were the Staurogram and the IX monogram ().
In The Byzantine Rite practice of the Eastern Orthodox and Greek Catholic churches, the stole worn by a deacon is called an orarion, while that worn by a priest or bishop is called an epitrachelion (a bishop additionally wears an omophorion), all similar in meaning and use to the Western stole. In Greek Orthodox practice, the deacon wears a ...
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity. The fall of Constantinople in 1453 was a significant event in the history of the Byzantine Empire, and it had a profound impact on the art world.
The meaning of the dome has been extensively analyzed by architectural historians. According to Nicola Camerlenghi, it may not be possible to arrive at a single "fixed meaning and universal significance" for domes across all building types and locations throughout history, since the shape, function, and context for individual buildings were determined locally, even if inspired by distant ...
Fabrics dyed in the current era from different species of sea snail. The colours in this photograph may not represent them precisely. Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, or imperial dye, is a reddish-purple natural dye.
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
Solidus minted during the second reign of Justinian II (705–711). Early Byzantine coins continue the late Greco-Roman conventions: on the obverse the head of the Roman Emperor, now full face rather than in profile; [note 1] on the reverse, usually a Christian symbol such as the cross or an angel (the two tending to merge into one another).