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2. Ubuntu theology - Wikipedia

   en.wikipedia.org/wiki/Ubuntu_theology

   Tutu, as chairperson of the Truth and Reconciliation Commission of South Africa between 1996 and 1998, and operating from the premise of faith, theologizes the Ubuntu concept by anchoring it beyond community into God through the biblical category of the imago Dei. Tutu sees all realms of life in relation to God and all humanity as created in ...

3. Fijian traditions and ceremonies - Wikipedia

   en.wikipedia.org/wiki/Fijian_traditions_and...

   Fijian tradition and ceremony is a living way of life that has evolved as the Fijian nation has modernised over time, with various external influences from Pacific neighbours, and the European and Asian society.

4. Putu piring - Wikipedia

   en.wikipedia.org/wiki/Putu_piring

   A hawker in Singapore preparing kueh tutu. Here he is scooping the peanut filling into the flour. Putu piring (Jawi: ڤوتو ڤيريڠ ‎) is a round-shaped steamed rice flour kueh (dessert) or sweet snack filled with palm sugar popular in Singapore.

5. Toplessness - Wikipedia

   en.wikipedia.org/wiki/Toplessness

   Two Tahitian Women (1899) by Paul Gauguin. The word "topless" usually refers to a woman whose breasts, including her areolas and nipples, are exposed to public view. It can describe a woman who appears, poses, or performs with her breasts exposed, such as a "topless model" or "topless dancer", or to an activity undertaken while not wearing a top, such as "topless sunbathing".

6. Tsay Keh Dene First Nation - Wikipedia

   en.wikipedia.org/wiki/Tsay_Keh_Dene_First_Nation

   The reserve infringed upon another band's traditional territory, namely the McLeod Lake Tsek'ehne and was the location of a McLeod Lake camp. [87] No candidates appear to have ever moved to the reserve. Over the passage of time, Tutu Creek 4 became overgrown and bears no evidence of its former existence. [79]

7. Romantic ballet - Wikipedia

   en.wikipedia.org/wiki/Romantic_ballet

   The Three Graces: embodiment of the Romantic ballet, ca. 1840.This lithograph by A. E. Chalon depicts three of the greatest ballerinas in three of the era's defining roles: (left to right) Marie Taglioni as the Sylph in Filippo Taglioni's 1832 ballet La Sylphide; Fanny Elssler as Florinda in the dance La Cachucha from Jean Coralli's 1836 ballet Le Diable boiteux; and Carlotta Grisi as Béatrix ...