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Byzantium. The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple (hue rendering), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often ...
Liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy. The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
During the Palaiologan period, the insigne of the reigning dynasty, and the closest thing to a Byzantine "national flag", according to Soloviev, was the so-called "tetragrammatic cross", a gold or silver cross with four letters beta "Β" (often interpreted as firesteels) of the same color, one in each corner. [43][44]
Byzantine blue is a color ranging from light celestial blue or lazuli to dark Egyptian blue. Variations. Dark Byzantine blue. The dark variation is best described ...
Christian cross variants. 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side. Double-barred cross symbol as used in a 9th-century Byzantine seal. Greek cross (Church of Saint Sava) and Latin cross (St. Paul's cathedral) in church floorplans. The Christian cross, with or without a ...
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity. The fall of Constantinople in 1453 was a significant event in the history of the Byzantine Empire, and it had a profound impact on the art world.
The Byzantine Rite, also known as the Greek Rite or the Rite of Constantinople, is a liturgical rite that is identified with the wide range of cultural, devotional, and canonical practices that developed in the Eastern Christian church of Constantinople.
In paintings, Mary is traditionally portrayed in blue. This tradition can trace its origin to the Byzantine Empire, from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe, the blue pigment was derived from the rock lapis lazuli, a stone ...