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Ornament has been evident in civilizations since the beginning of recorded history, ranging from Ancient Egyptian architecture to the assertive lack of ornament of 20th century Modernist architecture. Ornaments also depict a certain philosophy of the people for the world around.
The first includes ornaments adopted from antiquity: grotesques, architectural ornaments such as the orders, foliage scrolls and self-contained elements such as trophies, terms and vases.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. [1] He helped pioneer modern colour theory, [2] and his theories on flat patterning and ornament still resonate with contemporary designers today.
From the 9th century onward, a range of sophisticated geometric patterns based on polygonal tessellation began to appear in Islamic art, eventually becoming dominant. Islamic art mostly avoids figurative images to avoid becoming objects of worship.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
Palmette. Page in which appear various illustrations of palmettes, from A handbook of Ornament by Franz Meyer (1898) Etruscan architectural plaque with palmettes, from late 4th century BC, painted terracotta, in the Metropolitan Museum of Art, New York City. The palmette is a motif in decorative art which, in its most characteristic expression ...
The acanthus (Ancient Greek: ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome.
In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic art .
Silver bracelet with Kievan Rus' animal ornament from the treasure in Staraya Ryazan, second half of the 12th century. Kievan Rus' ornament is a general designation for ornamental patterns characteristic of the culture of Kievan Rus', and partially rooted in its pre-Christian period.