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Allegro, C minor, ends in C major, variation form with the fifth variation (in E-flat major) augmented. The minuet is a canon. The oboes carry the melody with the bassoons answering one bar later. The trio is also canonic with the response to the melody played upside down. [1] The finale is a set of variations containing a central episode in E ...
Neapolitan minor scale on C Play ⓘ. Neapolitan major scale on C Play ⓘ.. In music, the major Neapolitan scale and the minor Neapolitan scale are two musical scales.Both scales are minor, in that they both contain a minor third above the root.
Title page of the first edition of the score, Vienna 1799. The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1]
Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer.
Johannes Brahms' String Quartet No. 1 in C minor and String Quartet No. 2 in A minor were completed in Tutzing, Bavaria, during the summer of 1873, and published together that autumn as Op. 51. They are dedicated to his friend Theodor Billroth .
The Piano Trio No. 2 in C minor, Op. 66, was written by Felix Mendelssohn in 1845 and published in February 1846. [1] The work is scored for a standard piano trio consisting of violin, cello and piano. Mendelssohn dedicated the work to his close friend and violinist, Louis Spohr, who played through the piece with the composer at least once. [2]
The Fantasia and Fugue in C minor, BWV 562 is a relatively short piece written for the organ by Johann Sebastian Bach. Bach began the composition during his time in Weimar, and an unfinished fugue, probably by Bach, was added in his later life. [1] The piece features a heavily appoggiatura-laden harmony. [2]
Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major). Besides the slower general pace, the melody is in quarter notes except for a few flourishes in eighth notes, giving this section the quality of an interlude before the dramatic restatement of Theme B.