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  1. af·fect

    /əˈfek(t)/

    verb

    • 1. have an effect on; make a difference to: "the dampness began to affect my health"
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  3. Affect (psychology) - Wikipedia

    en.wikipedia.org/wiki/Affect_(psychology)

    In psychology, "affect" refers to the experience of feeling or emotion. It encompasses a wide range of emotional states and can be positive (e.g., happiness, joy, excitement) or negative (e.g., sadness, anger, fear, disgust). Affect is a fundamental aspect of human experience and plays a central role in many psychological theories and studies.

  4. Affect (philosophy) - Wikipedia

    en.wikipedia.org/wiki/Affect_(philosophy)

    Affect (from Latin affectus or adfectus) is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience. The word affect takes on a different meaning in psychology and other fields.

  5. Affect theory - Wikipedia

    en.wikipedia.org/wiki/Affect_theory

    Affect theory is a theory that seeks to organize affects, sometimes used interchangeably with emotions or subjectively experienced feelings, into discrete categories and to typify their physiological, social, interpersonal, and internalized manifestations.

  6. Affect (linguistics) - Wikipedia

    en.wikipedia.org/wiki/Affect_(linguistics)

    In linguistics, affect is an attitude or emotion that a speaker brings to an utterance. Affects such as sarcasm, contempt, dismissal, distaste, disgust, disbelief, exasperation, boredom, anger, joy, respect or disrespect, sympathy, pity, gratitude, wonder, admiration, humility, and awe are frequently conveyed through paralinguistic mechanisms ...

  7. Affect heuristic - Wikipedia

    en.wikipedia.org/wiki/Affect_heuristic

    The affect heuristic is a heuristic, a mental shortcut that allows people to make decisions and solve problems quickly and efficiently, in which current emotion — fear, pleasure, surprise, etc.—influences decisions. In other words, it is a type of heuristic in which emotional response, or "affect" in psychological terms, plays a lead role. [1]

  8. Affect regulation - Wikipedia

    en.wikipedia.org/wiki/Affect_regulation

    Affect regulation is the actual performance one can demonstrate in a difficult situation regardless of what their mood or emotions are. It is tightly related to the quality of executive and cognitive functions and that is what distinguishes this concept from emotion regulation.

  9. Affect display - Wikipedia

    en.wikipedia.org/wiki/Affect_display

    Affect displays are the verbal and non-verbal displays of affect . These displays can be through facial expressions , gestures and body language , volume and tone of voice , laughing , crying , etc. Affect displays can be altered or faked so one may appear one way, when they feel another (e.g., smiling when sad).

  10. Affect (rhetoric) - Wikipedia

    en.wikipedia.org/wiki/Affect_(Rhetoric)

    Affect, as a term of rhetoric, is the responsive, emotional feeling that precedes cognition. Affect differs from pathos as described by Aristotle as one of the modes of proof [2] and pathos as described by Jasinski as an emotional appeal [3] because it is “the response we have to things before we label that response with feelings or emotions.”

  11. Affective science - Wikipedia

    en.wikipedia.org/wiki/Affective_science

    Affective science is the scientific study of emotion or affect. This includes the study of emotion elicitation, emotional experience and the recognition of emotions in others. Of particular relevance are the nature of feeling, mood, emotionally-driven behaviour, decision-making, attention and self-regulation, as well as the underlying ...

  12. Doctrine of the affections - Wikipedia

    en.wikipedia.org/wiki/Doctrine_of_the_affections

    The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750). [1] [2] Literary theorists of that age ...