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Composition ornament (" compo ") is a mouldable thermoplastic compound, consisting of powdered chalk mixed with collagen (hide glue), resin (pine rosin) and linseed oil; worked either by hand or more usually pressed into moulds to produce decorative work.
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object.
In art and iconography, a motif ( / moʊˈtiːf / ⓘ) is an element of an image. Motifs can occur both in figurative and narrative art, and in ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1]
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Their ornament is applied in separate bands, hammered or cast and chased, and soldered on the lip or shoulder of the vessel. A richly decorated form is a shallow bowl with wide ring-handle and flat lip, on both of which are foliate or floral patterns in relief.
Minakari art usually involves intricate designs (mainly using geometric shapes and designs), and is applied as a decorative feature to serving dishes, containers, vases, frames, display ornaments, and jewelry.
It is said to be derived from raised work on linen, applied in France to varieties of the, bead and reel, in which the bead is often carved with ornament. In England the term is constantly used by auctioneers to describe the raised convex decorations under the bowl of stone or terracotta vases.
A medallion is a round or oval ornament that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.
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Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and bishop's thrones. The name derives from the Cosmati ...