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Owen Jones (15 February 1809 – 19 April 1874) was a British architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. [1] He helped pioneer modern colour theory, [2] and his theories on flat patterning and ornament still resonate with contemporary designers today.
Jones’ original description of this plate from his “Description of the plates” (page 9–15), transcribed literally, using Jones’ orthography: “Portion of a painted china Dish: four dragons guarding the labyrinth form the subject of the composition, the flowers are most artistically arranged in the fragmentary style.”
Design reform began with Exhibition organizers Henry Cole (1808–1882), Owen Jones (1809–1874), Matthew Digby Wyatt (1820–1877), and Richard Redgrave (1804–1888), [15] all of whom deprecated excessive ornament and impractical or badly-made things. [16] The organizers were "unanimous in their condemnation of the exhibits."
In the Roman temple, the extravagant use of ornament served as a means of self-glorification, as scholar Owen Jones notes in his book chapter, Roman Ornament. Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. [8]
In 1867, Examples of Chinese Ornaments by Owen Jones appeared, and in 1870 Art and Industries in Japan by R. Alcock, and two years later, O. H. Moser and T. W. Cutler published books about Japanese art.
Owen Jones, architect and orientalist, was requested to set out key principles of design and these became not only the basis of the schools teaching but also the propositions that preface The Grammar of Ornament (1856), which is still regarded as the finest systematic study or practical sourcebook of historic world ornament. Jones identified ...
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