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A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard (RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
The KTP was made from paper, laminated in plastic and stamped with an ink stamp. Cards were issued by the lowest neighborhood administrative levels, known as RT and RW. The cards featured a photo, signature, serial number and thumb print. The background color of the KTP was often yellow. [3]
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji visible in the background. The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints.
In 1908, these "free-thinking" women drive into the then-nameless frontier town, ruled with an iron fist by the absent Mace Mobrey and his gang. The pair realize their utopian dream, winning over the rough residents and transforming the place into an artists' colony, "The Paris of the North".
A single program deck, with individual subroutines marked. The markings show the effects of editing, as cards are replaced or reordered. Many early programming languages, including FORTRAN, COBOL and the various IBM assembler languages, used only the first 72 columns of a card – a tradition that traces back to the IBM 711 card reader used on the IBM 704/709/7090/7094 series (especially the ...
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