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In architecture and decorative art, ornament is decoration used to embellish parts of a building or object.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
The acanthus (Ancient Greek: ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome.
The Big Easter Egg Coloring Book. Here's a simple way to fill a large number of eggs on Easter morning: Tear individual coloring pages from this book, fold them up, and stick them in your...
Ceramic Retirement Ornament. Hung on a tree, dangling from the neck of a wine bottle or used as a napkin holder, this ceramic ornament is just the finishing touch that any teacher retirement...
A coloring book (British English: colouring-in book, colouring book, or colouring page) is a type of book containing line art to which people are intended to add color using crayons, colored pencils, marker pens, paint or other artistic media. Traditional coloring books and coloring pages are printed on paper or card.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
In art and iconography, a motif ( / moʊˈtiːf / ⓘ) is an element of an image. Motifs can occur both in figurative and narrative art, and in ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1]
Goose, duck and hens ' eggs are usually "blown" – a hole is made in each end and the contents are blown out. The egg is then either carved, dyed, painted, appliqued or otherwise decorated (using a number of different techniques). Egg decoration is particularly popular in Eastern European countries.
The interior design followed the same principles of symmetry and geometric forms which set it apart from Art Nouveau, and bright colours, fine craftsmanship rare and expensive materials which set it apart from the strict functionality of the Modernist style.