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Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning.
The narrative theory of equilibrium derives from narratology. This discipline examines story construction and its effect on human consciousness. Narratology perceives stories as sense-making mechanisms, which allow citizens to understand history, morality, and contemporary social structures.
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading , particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
They call for a systematic and integrated study of literature, uniting literary theory, which outlines the basic principles of literature; criticism, which critiques individual works; and history, which outlines the development of literature.
Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay "The Metaphysical Poets". It refers to the way intellectual thought was separated from the experience of feeling in poetry during the course of the seventeenth century.
Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics. Semiotics, tied closely to the structuralism pioneered by Ferdinand de Saussure , was extremely influential in the development of literary theory out of the formalist approaches of the early twentieth ...
In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes .
Modernist literature originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new."
Identification is a key concept in psychoanalytic literary criticism. Drawing upon the large body of psychoanalytic theory, Merav Roth identified seven forms of identification which can occur whilst reading literature.
Philosophy and literature involves the literary treatment of philosophers and philosophical themes (the literature of philosophy), and the philosophical treatment of issues raised by literature (the philosophy of literature).