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The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple (hue rendering), the color historically used by Roman and Byzantine emperors.
Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, or imperial dye, is a reddish-purple natural dye. The name Tyrian refers to Tyre, Lebanon, once Phoenicia.
The color byzantium is a dark tone of purple. The first recorded use of byzantium as a color name in English was in 1926.
According to a handful of surviving examples, such as the supposed "Flag of Andronikos II Palaiologos" in the Vatopedi Monastery, or a frontispiece of a Bible belonging to Demetrios Palaiologos, the Byzantine double-headed eagle was golden on a red background.
Purple was the color worn by Roman magistrates; it became the imperial color worn by the rulers of the Byzantine Empire and the Holy Roman Empire, and later by Roman Catholic bishops. Similarly in Japan , the color is traditionally associated with the emperor and aristocracy.
The Nika riots (Greek: Στάσις τοῦ Νίκα, romanized: Stásis toû Níka), Nika revolt or Nika sedition took place against Byzantine emperor Justinian I in Constantinople over the course of a week in 532 AD They are often regarded as the most violent riots in the city's history, with nearly half of Constantinople being burned or ...
Its being called vellum is misleading as it would have been lambskin not calfskin, to which vellum specifically applies) dyed a rich purple, placing it very firmly in the category of luxury manuscripts. This shade of purple dye was also used to dye imperial cloth.
The Byzantine solidus was valued in Western Europe, where it became known as the bezant, a corruption of Byzantium. The term bezant then became the name for the heraldic symbol of a roundel, tincture or – i.e. a gold disc. Alexius I reforms Manuel I Comnenus scyphate (cup-shaped) hyperpyron.
Cloisonné inlays on gold of carnelian, feldspar, garnet, turquoise, lapis lazuli, 1880s BC. Cloisonné ( French: [klwazɔne]) is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold.
English: A 600-700 AD Byzantine gold necklace with 4 pendants. Now in the Metropolitan Museum of Art, New York.