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  2. Visiting card - Wikipedia

    en.wikipedia.org/wiki/Visiting_card

    Visiting card. A visiting card or a calling card was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).

  3. Salon (gathering) - Wikipedia

    en.wikipedia.org/wiki/Salon_(gathering)

    Salon (gathering) Réunion de dames, Abraham Bosse, 17th century. A salon is a gathering of people held by a host. These gatherings often consciously followed Horace 's definition of the aims of poetry, "either to please or to educate" (Latin: aut delectare aut prodesse ).

  4. Carte de visite - Wikipedia

    en.wikipedia.org/wiki/Carte_de_visite

    The carte de visite (French: [kaʁt də vizit], English: 'visiting card', abbr. 'CdV', pl. cartes de visite) was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero.

  5. Visitor pattern - Wikipedia

    en.wikipedia.org/wiki/Visitor_pattern

    The Visitor design pattern is one of the twenty-three well-known Gang of Four design patterns that describe how to solve recurring design problems to design flexible and reusable object-oriented software, that is, objects that are easier to implement, change, test, and reuse.

  6. Beauty salon - Wikipedia

    en.wikipedia.org/wiki/Beauty_salon

    Some beauty salons also style hair instead of requiring clients to go to a separate hair salon. Some also offer sun tanning via tanning beds. Facials may include the use of a facial mask. Another popular beauty treatment specific to the face is known as a facial. The perceived effects of a facial mask treatment include revitalization, healing ...

  7. Project for the Transformation of the Grande Galerie du ...

    en.wikipedia.org/wiki/Project_for_the...

    For the Salon of 1796, he imagined a view of the Gallery presenting the arrangements he believed were necessary, in particular the opening of glass roofs allowing overhead lighting of the works. The painting is an oil painting on rectangular canvas of 115 by 145 cm. It depicts in detail an imaginary view of the Grande Galerie du Louvre, in Paris.