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Short visual history of furniture styles (from left to right): cloisonné plaque (), Chair of Reniseneb (Ancient Egyptian), metal brazier with satyrs from Pompei (Greco-Roman), fall-front cabinet inlaid with ivory (), low-back armchair (), casket with images of Cupids (), wood and ivory furniture fragment (), chest (), analogion (Romanian Medieval), sideboard with two bodies (Renaissance ...
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
Dog-tooth ornament. In architecture, a dog-tooth or dogtooth pattern is an ornament found in the mouldings of medieval work of the commencement of the 12th century, which is thought to have been introduced by the Crusaders.
Tessellation patterns have been used to design interlocking motifs of patch shapes in quilts. [ 75 ] [ 76 ] Tessellations are also a main genre in origami (paper folding), where pleats are used to connect molecules, such as twist folds, together in a repeating fashion.
The simplest kind of marquetry uses only two sheets of veneer, which are temporarily glued together and cut with a fine saw, producing two contrasting panels of identical design, (in French called partie and contre-partie, "part" and "counterpart"). An example of sand-shading and shellac-inking; subject copied from a Moronobu print
It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament.
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