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The repeated images show the possible use of models with the artist changing the paint colors in order to represent another group of people or scene taking place. The integration of text and image was important within this manuscript in order to illustrate the Byzantine history effectively by highlighting key events.
The word is derived from the Latin word caeruleus, "dark blue, blue, or blue-green", which in turn probably derives from caerulum, diminutive of caelum, "heaven, sky". [2] "Cerulean blue" is the name of a blue-green pigment consisting of cobalt stannate (Co 2 SnO 4). The pigment was first synthesized in the late eighteenth century by Albrecht ...
However, on January 10, 532, two of them, a Blue and a Green, survived execution, escaped and sought sanctuary in a church surrounded by an angry mob. Justinian was nervous: he was in the midst of negotiating with the Persians over peace in the east at the end of the Iberian War , and now he faced a potential crisis in his city.
The color periwinkle may be considered a pale tint of purple-blue in the Munsell color system, or a "pastel purple-blue". The color can represent serenity, calmness , winter , and ice . It can also symbolize blossoming friendships , womanhood , [ 3 ] sentimental memories, and everlasting love .
Similarly, the sebastokrator wore blue boots with golden wire-embroidered eagles on a red background, while his saddle cloth was blue with four red embroidered eagles. [23] The only occasion the double-headed eagle appears on a flag is on the ship that bore Emperor John VIII Palaiologos to the Council of Florence , as mentioned by Sphrantzes ...
The early Byzantine Empire continued to use the (single-headed) imperial eagle motif. The double-headed eagle appears only in the medieval period, by about the 10th century in Byzantine art, [7] but as an imperial emblem only much later, during the final century of the Palaiologos dynasty. In Western European sources, it appears as a Byzantine ...
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