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Visiting card. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).
Format. The carte de visite was usually an albumen print from a collodion negative on thin paper glued onto a thicker paper card. The size of a carte de visite is 54 mm (2.125 in) × 89 mm (3.5 in) (approximately the size of a business card), mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in). The reverse was generally printed with the ...
An attorney's business card, 1895 Eugène Chigot, post impressionist painter, business card 1890s A business card from Richard Nixon's first Congressional campaign, in 1946 Front and back sides of a business card in Vietnam, 2008 A Oscar Friedheim card cutting and scoring machine from 1889, capable of producing up to 100,000 visiting and business cards a day
The visitor gave his visit cards to the lackey or the maître d'hôtel, and he was accepted or not. Only people who had been introduced previously could enter the salon. Marcel Proust called up his own turn-of-the-century experience to recreate the rival salons of the fictional duchesse de Guermantes and Madame Verdurin.
Childe Hassam. Frederick Childe Hassam (/ ˈtʃaɪld ˈhæsəm /; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums.
The Hall of Mirrors (French: Grande Galerie, Galerie des Glaces, Galerie de Louis XIV) is a grand Baroque style gallery and one of the most emblematic rooms in the royal Palace of Versailles near Paris, France. The grandiose ensemble of the hall and its adjoining salons was intended to illustrate the power of the absolutist monarch Louis XIV.
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