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Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
Computer animation removes the problems of proportion related to "straight ahead action" drawing, but "pose to pose" is still used for computer animation, because of the advantages it brings in composition. [18] The use of computers facilitates this method and can fill in the missing sequences in between poses automatically.
Leochares: Belvedere Apollo.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 51 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Maillardet's automaton drawing a picture. The concept of automated art dates back at least to the automata of ancient Greek civilization, where inventors such as Daedalus and Hero of Alexandria were described as having designed machines capable of writing text, generating sounds, and playing music.
The tableau as a form still dominates the art photography market. As Fried notes: "Arguably the most decisive development in the rise of the new art photography has been the emergence, starting in the late 1970s and gaining impetus in the 1980s and after, of what the French critic Jean-François Chevrier has called the "tableau form" (p. 143). [9]
This generally includes making sketches from a live model whose pose changes every few minutes. A "sketch" usually implies a quick and loosely drawn work, while related terms such as study , modello and "preparatory drawing" usually refer to more finished and careful works to be used as a basis for a final work, often in a different medium, but ...
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