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  2. Montserrat (typeface) - Wikipedia

    en.wikipedia.org/wiki/Montserrat_(typeface)

    2011. License. SIL Open Font License. Variations. Montserrat Alternates. Montserrat Subrayada. Website. fonts .google .com /specimen /Montserrat. Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011.

  3. Futura (typeface) - Wikipedia

    en.wikipedia.org/wiki/Futura_(typeface)

    Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt -project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.

  4. Tannenberg (typeface) - Wikipedia

    en.wikipedia.org/wiki/Tannenberg_(typeface)

    Tannenberg is a Fraktur-family blackletter typeface, developed between 1933 and 1935 by Erich Meyer at the type foundry D. Stempel AG in Frankfurt am Main. The design followed the "New Typography" principles of Jan Tschichold that promoted "constructed" sans serif typefaces. It is named after the Battle of Tannenberg in 1914, in which German ...

  5. List of monospaced typefaces - Wikipedia

    en.wikipedia.org/wiki/List_of_monospaced_typefaces

    Samples of Monospaced typefaces. Typeface name. Example 1. Example 2. Example 3. Anonymous Pro. [1] Bitstream Vera Sans Mono.

  6. Font - Wikipedia

    en.wikipedia.org/wiki/Font

    In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of various fonts that share an overall design. In the 21st century, with the advent of computer fonts, the terms "font" and "typeface" are often used interchangeably ...

  7. Hershey fonts - Wikipedia

    en.wikipedia.org/wiki/Hershey_fonts

    The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory, [1] [2] [3] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs.