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Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons."
In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both Acanthus mollis and the still more deeply cut Acanthus spinosus have been claimed as the main model, and ...
t. e. The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, [1] although they were not considered as such at the time.
Roman ornament with an aquila (100–200 AD) from the Cleveland Museum of Art A modern reconstruction of an aquila. An aquila (Classical Latin: [ˈakᶣɪla]; lit. ' eagle ') was a prominent symbol used in ancient Rome, especially as the standard of a Roman legion. A legionary known as an aquilifer, the "eagle-bearer", carried this standard.
Etruscan architectural plaque with palmettes, from late 4th century BC, painted terracotta, in the Metropolitan Museum of Art, New York City. The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a ...
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was greatly indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, Roman painting was little different from the mural painting of that people, who had developed a linear style learned directly from the Ionian Greeks of the Archaic ...
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