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The brain interprets that combination as some hue of magenta or purple, depending on the relative strengths of the cone responses. In the Munsell color system, magenta is called red-purple. If the spectrum is wrapped to form a color wheel, magenta (additive secondary) appears midway between red and violet.
Red-violet is part of the red "analogous color group", which also includes magenta, red, red-orange, orange, gold, and yellow, i.e., those colors classified as "warm colors", or colors that produce a feeling of warmth (as opposed to "cool colors").
This is a list of flags of states, territories, former, and other geographic entities (plus a few non-geographic flags) sorted by their combinations of dominant colors. Flags emblazoned with seals, coats of arms, and other multicolored emblems are sorted only by their color fields. The color of text is almost entirely ignored.
Violet-red colors include hues and shades of magenta. The light spectrum is a line on which violet is one end and the other is red, and yet we see hues of purple that connect those two colors. Impossible colors are a combination of cone responses that cannot be naturally produced.
紅 hóng 'light red': The intermediary color of the south, combination of western white and southern red; 紫 zǐ 'violet': The intermediary color of the north, combination of southern red and northern black; 硫 liú 'horse-brown': The intermediary color of the center, combination of northern black and central yellow
In this traditional scheme, a complementary color pair contains one primary color (yellow, blue or red) and a secondary color (green, purple or orange). The complement of any primary color can be made by combining the two other primary colors. For example, to achieve the complement of yellow (a primary color) one could combine red and blue.
Gradient RGB/CMY color wheel Seven-color and twelve-color color circles from 1708, attributed to Claude Boutet Wilhelm von Bezold's 1874 Farbentafel. A color wheel or color circle [1] is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc.
A color in a color space is defined as a combination of its primaries, where each primary must give a non-negative contribution. Any color space based on a finite number of real primaries is incomplete in that it cannot reproduce every color within the gamut of the standard observer.
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