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Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures. The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
Spirituality. v. t. e. Girih (Persian: گره, "knot", also written gereh[1]) are decorative Islamic geometric patterns used in architecture and handicraft objects, consisting of angled lines that form an interlaced strapwork pattern. Girih decoration is believed to have been inspired by Syrian Roman knotwork patterns from the second century.
Arabesques are mixed here with calligraphic motifs and muqarnas sculpting. Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. [1]
Muqarnas (Arabic: مقرنص; Persian: مقرنس, or Persian: آهوپای, romanized: ahoopāy), also known in Iberian architecture as Mocárabe (from Arabic: مقربص, romanized: muqarbaṣ), is a form of three-dimensional decoration in Islamic architecture in which rows or tiers of niche-like elements are projected over others below. [1]
Simple ornaments of the borders and openings of the surahs in the pages of the 1st century hijra Qur'ans are also found. A notable example is the TIEM ŞE 321 Mus'haf (This manuscript belongs to the Şam Evrakı ‘Papers of Syria’ collection, at the Turkish and Islamic arts Museum ).
Tile decoration on the upper part of the minaret of the Kasbah Mosque in Marrakesh (modern restoration of original 12th-century tiles). Zellij fragments from al-Mansuriyya (Sabra) in Tunisia, possibly dating from either the mid-10th century Fatimid foundation or from the mid-11th Zirid occupation, suggest that the technique may have developed in the western Islamic world around this period. [5]
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