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The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his Stilfragen that acanthus ornament originated as a sculptural version of the palmette, and only later began to resemble Acanthus spinosus. [2]
In his book,The Meditation on Ornament, Oleg Grabar departs from Gombrich's European-influenced position to show how ornament can be the subject of a design. He differentiates between filling a space with design, and transforming a space through design. Iran, Kharraqan, mausoleum, 1087, back. Grabar calls attention to the "iconophoric quality ...
Film and broadcast arts – including direction, writing, production design, cinematography, editing, animation, performance, and new media; Architecture and allied arts – including non-folk architecture, interior design, landscape architecture, and urban design; Design – including industrial and fashion design
After World War II, Nash Motors commissioned George Petty to design hood ornaments featuring female figures without clothing for their cars. [10] [11] Petty used his daughter to make the "Flying Lady" hood ornament which became a marketing coup for Nash and the 1950 "Airflyte" models in the Ambassador and Statesman cars. [12]
Only in 1929 was the essay published in German in the Frankfurter Zeitung, as Ornament und Verbrechen. It was the architect Henry Kulka , who assisted Loos during a reprint of the essay in 1931 in Trotzdem , that altered the original year to 1908 after he consulted Loos, who either didn't remember well or wanted to assume primacy in the ...
These design forces resulted in the current Song typeface characterized by thick vertical strokes contrasted with thin horizontal strokes, triangular ornaments at the end of single horizontal strokes, and overall geometrical regularity. In Japanese typography, the equivalent of serifs on kanji and kana characters are called uroko —"fish scales".
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