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The Byzantine emperor Constantine VII Porphyrogenitus in a 945 carved ivory. Traditionally, born in the purple [1] (sometimes "born to the purple") was a category of members of royal families born during the reign of their parent.
Solidus minted during the second reign of Justinian II (705–711). Early Byzantine coins continue the late Greco-Roman conventions: on the obverse the head of the Roman Emperor, now full face rather than in profile; [note 1] on the reverse, usually a Christian symbol such as the cross or an angel (the two tending to merge into one another).
Bishop Czeslaw Kozon, the Catholic bishop of Copenhagen, in pontifical liturgical vestments including the Chasuble.. The chasuble (/ ˈ tʃ æ zj ʊ b əl /) is the outermost liturgical vestment worn by clergy for the celebration of the Eucharist in Western-tradition Christian churches that use full vestments, primarily in Roman Catholic, Anglican, and Lutheran churches.
The term porphyry is from the Ancient Greek πορφύρα (porphyra), meaning "purple". Purple was the colour of royalty, and the Roman "imperial porphyry" was a deep purple igneous rock with large crystals of plagioclase. Some authors claimed the rock was the hardest known in antiquity. [3]
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
NEW YORK (AP) — "I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it,” Shug tells Celie in Alice Walker's “The Color Purple.” In nature ...
In the 18th century, purple was a color worn by royalty, aristocrats and other wealthy people. Good-quality purple fabric was too expensive for ordinary people. The first cobalt violet, the intensely red-violet cobalt arsenate, was highly toxic. Although it persisted in some paint lines into the 20th century, it was displaced by less toxic ...
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.