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  2. The Invitation (2022 film) - Wikipedia

    en.wikipedia.org/wiki/The_Invitation_(2022_film)

    The Invitation was released theatrically in the United States on August 26, 2022, by Sony Pictures Releasing. The film received generally mixed-to-negative reviews, with critics praising Emmanuel's acting but criticizing the story, screenplay, and horror elements. It was a box-office success, grossing $38 million worldwide on a $10 million budget.

  3. Customer review - Wikipedia

    en.wikipedia.org/wiki/Customer_review

    A customer review is an evaluation of a product or service made by someone who has purchased and used, or had experience with, a product or service. Customer reviews are a form of customer feedback on electronic commerce and online shopping sites. There are also dedicated review sites, some of which use customer reviews as well as or instead of ...

  4. NCAA sidelines Fridley student-athlete's football ... - AOL

    www.aol.com/news/ncaa-sidelines-fridley-student...

    A local student-athlete is fighting for his football dreams after the NCAA sidelined him over an online English class he took during the height of the pandemic.

  5. The Invitation (2015 film) - Wikipedia

    en.wikipedia.org/wiki/The_Invitation_(2015_film)

    The Invitation. (2015 film) The Invitation is a 2015 American horror thriller film [3] [4] directed by Karyn Kusama and written by Phil Hay and Matt Manfredi, starring Logan Marshall-Green, Tammy Blanchard, Michiel Huisman and Emayatzy Corinealdi. It premiered March 13, 2015 at the SXSW film festival [5] and began a limited release on April 8 ...

  6. ‘The Balconettes’ Review: Noémie Merlant’s ... - AOL

    www.aol.com/entertainment/balconettes-review-no...

    For crisp tension or thematic clarity, nothing in “The Balconettes” quite outdoes the nearly self-contained, minutes-long short that opens actor-director Noémie Merlant’s frenzied ...

  7. ‘The Invitation’ Review: Numbingly Predictable Horror ...

    www.aol.com/invitation-review-numbingly...

    Despite some ambitious efforts by director Jessica M. Thompson and screenwriter Blair Butler to revitalize hoary horror movie tropes with allegorical commentary on race, class and male privilege ...