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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
Byzantium. The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often ...
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity. The fall of Constantinople in 1453 was a significant event in the history of the Byzantine Empire, and it had a profound impact on the art world.
Christian cross variants. 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side. Double-barred cross symbol as used in a 9th-century Byzantine seal. Greek cross ( Church of Saint Sava) and Latin cross ( St. Paul's cathedral) in church floorplans. The Christian cross, with or without ...
Byzantine mosaics. 10th century mosaic of Virgin and Child on a gold ground in the former cathedral Hagia Sophia in Istanbul, Turkey. Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms ...
Byzantine illuminated manuscripts. 10th-century illumination in the Paris Psalter which depicts the life of King David, traditionally regarded as the author of the Book of Psalms. In total there are 14 images throughout the psalter. Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in ...
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
The labarum ( Greek: λάβαρον or λάβουρον [2]) was a vexillum (military standard) that displayed the "Chi-Rho" symbol ☧, a christogram formed from the first two Greek letters of the word "Christ" ( Greek: ΧΡΙΣΤΟΣ, or Χριστός) – Chi (χ) and Rho (ρ). [3] It was first used by the Roman emperor Constantine the Great.
The Byzantine Iconoclasm ( Ancient Greek: Εἰκονομαχία, romanized : Eikonomachía, lit. 'image struggle', 'war on icons') were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising ...
Raphael 's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques. However, it is also greatly influenced by the Byzantine style of art, particularly in terms of its use of color and perspective . In Byzantine art, color was used to convey spiritual and emotional meaning.
