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External links. Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons ...
Color coordinates; Hex triplet #5D3954: sRGB B (r, g, b) (93, 57, 84) HSV (h, s, v) (315°, 39%, 36%) CIELCh uv (L, C, h) (29, 23, 321°) Source: ISCC-NBS: ISCC–NBS descriptor: Dark reddish purple: B: Normalized to [0–255] (byte)
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity.
11th century Byzantine mosaic of Daphni Monastery in Haidari, a suburb of Athens, Greece Aesthetics. In Byzantine religious art, unlike the Classical Greek and Roman art that preceded it, symbolism became more important than realism.
Christian cross variants. Christian cross variants. 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side. Double-barred cross symbol as used in a 9th-century Byzantine seal. Greek cross ( Church of Saint Sava) and Latin cross ( St. Paul's cathedral) in church floorplans.
Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts.
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge , it is used with the concept of an empire . Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire , originally a dynastic emblem of the Palaiologoi .
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires ...
The Byzantine Iconoclasm ( Ancient Greek: Εἰκονομαχία, romanized : Eikonomachía, lit. 'image struggle', 'war on icons') were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising ...
The labarum ( Greek: λάβαρον or λάβουρον [2]) was a vexillum (military standard) that displayed the "Chi-Rho" symbol ☧, a christogram formed from the first two Greek letters of the word "Christ" ( Greek: ΧΡΙΣΤΟΣ, or Χριστός) – Chi (χ) and Rho (ρ). [3] It was first used by the Roman emperor Constantine the Great.
