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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors .
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity.
Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment.
Vivid blue. B: Normalized to [0–255] (byte) Greek blue, Santorini. Byzantine blue is a color ranging from light celestial blue or lazuli to dark Egyptian blue.
Byzantium. / 41.01528°N 28.98472°E / 41.01528; 28.98472. Byzantium ( / bɪˈzæntiəm, - ʃəm /) or Byzantion ( Ancient Greek: Βυζάντιον) was an ancient Thracian settlement and later a Greek city in classical antiquity that became known as Constantinople in late antiquity which is known as Istanbul today.
Byzantine cross Upright cross with outwardly widening ends. It is often seen in relics from the late antique and early medieval Byzantine Empire (until c. 800) and was adopted by other Christian cultures of the time, such as the Franks and Goths. Patriarchal cross (two-bar cross) Also called an archiepiscopal cross or a crux gemina. A double ...
Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms produced in the empire, and they are still studied extensively by art historians. [3]
Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy. The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The star and crescent is a symbol which is a ...