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  2. Look Away - Wikipedia

    en.wikipedia.org/wiki/Look_Away

    Look Away. This article is about the Chicago song. For other uses, see Look Away (disambiguation). " Look Away " is a 1988 power ballad by American rock band Chicago. Written by Diane Warren, produced by Ron Nevison, and with Bill Champlin on lead vocals, it is the second single from the band's album Chicago 19.

  3. Chicago Bears are ready to embrace 'Hard Knocks ... - AOL

    www.aol.com/news/chicago-bears-ready-embrace...

    The Chicago Bears already figured to have plenty of eyes on them. There'll be a few more cameras now, too. The Bears are ready to welcome the “Hard Knocks” film crew this summer after HBO and ...

  4. Robie House - Wikipedia

    en.wikipedia.org/wiki/Robie_House

    The Frederick C. Robie House is a U.S. National Historic Landmark now on the campus of the University of Chicago in the South Side community area of Hyde Park in Chicago, Illinois. Built between 1909 and 1910, the building was designed as a single family home by architect Frank Lloyd Wright. [4]

  5. Hard to Say I'm Sorry - Wikipedia

    en.wikipedia.org/wiki/Hard_to_Say_I'm_Sorry

    "Hard to Say I'm Sorry" is a 1982 power ballad by the group Chicago. It was written by bassist Peter Cetera, who also sang the lead vocals on the track, and producer David Foster. It was released on May 17, 1982, as the lead single from the album Chicago 16. On September 11 it reached No. 1 for two weeks on the Billboard Hot 100.

  6. Caitlin Clark vs. Angel Reese is more than just a matchup of ...

    www.aol.com/sports/caitlin-clark-vs-angel-reese...

    Rookies Caitlin Clark and Angel Reese reached classic form in the days leading up to their first meeting in the WNBA. Clark, the logo-3 shooting heavyweight, scored 30 points while shooting 42.8% ...

  7. Chicago VIII - Wikipedia

    en.wikipedia.org/wiki/Chicago_VIII

    Chicago VIII is the seventh studio album by American rock band Chicago, released on March 24, 1975 by Columbia Records. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.