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A typical Mangalorean Catholic wedding sari (sado). Mangalorean Catholic men used to wear white or black coats known as kutav with buttons, (a coat that drew from Moghal-era sherwanis) similar to short-kurtas, while a sarong called pudvem (), a piece of unstitched cloth, usually around 7 yards long, was wrapped around the waist, and in between the legs to be knotted at the waist.
Hair ornament, an Art Nouveau masterpiece; by René Lalique; c. 1902; gold, emeralds and diamonds; Musée d'Orsay (Paris) In creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Platinum alloys range from 900 (90% pure) to 950 (95% pure).
Sometimes gold, white or red beads are also added to the mangala sutra, depending on regional variation. It is a symbol of marriage worn by women. The idea of sacred thread existed for centuries, even going back to the Sangam period. But the nature of these auspicious threads has evolved over time and varies widely according to various communities.
Bindi (decoration) Hindu woman in Kullu, Himachal Pradesh wearing a bindi. A bindi (from Sanskrit bindú meaning "point, drop, dot or small particle") [1][2] is a coloured dot or, in modern times, a sticker worn on the centre of the forehead, originally by Hindus, Jains and Buddhists from the Indian subcontinent.
Hairpins are an important symbol in Chinese culture, [1] and are associated with many Chinese cultural traditions and customs. [6] They were also used as every day hair ornaments in ancient China; [3] all Chinese women would wear a hairpin, regardless of their social rank. [7] The materials, elaborateness of the hairpin's ornaments, and the ...
Hanfu accessories (Chinese : 汉服配饰; pinyin : hànfú pèishì; lit. 'hanfu accessories') refers to the various form of fashion accessories and self-adornments used and worn with hanfu throughout Chinese history. Hanfu consists of many forms of miscellaneous accessories, such as jewellry, yaopei (lit. 'waist ornaments'), ribbons, shawls ...
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