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The patterns it used influenced European ornament in the Renaissance, through the Moresque style. [9] Girih is an Islamic decorative art form used in architecture and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards.
Mashrabiya is a traditional architectural element in Arab countries, featuring ornate wooden latticework for ventilation and privacy.
They were made by Islamic Fatimid artisans and are considered to be amongst the rarest objects in Islamic art. [2] There are few that have survived, and are now in collections across Europe. They are often in cathedral treasuries, where they were rededicated after being captured from their original Islamic settings.
The exclusive use of floral patterns links back to Nabataean aniconism in their religious practices. The designs on the wares are generally painted on or pressed into the surface with stamps and rouletting wheels.
Andrew Petersen, a scholar of Islamic art and archeology, states that ablaq (alternating courses of white limestone and black basalt) is "a characteristic of the monumental masonry of Damascus." [8] Ablaq stonework on the Alaeddin Mosque in Konya (13th century)
Interior of the Great Mosque of Mahdiya (originally built in early 10th century; mostly reconstructed in the 20th century) Aqmar Mosque, Cairo (early 12th century). The Fatimid architecture that developed in the Fatimid Caliphate (909–1167 CE) of North Africa combined elements of eastern and western architecture, drawing on Abbasid architecture, Byzantine, Ancient Egyptian, Coptic ...
Khayamiya in Cairo. Khayamiya (Egyptian Arabic: خيّامية khayyāmiyah) is a decorative Egyptian art appliqué textile, that dates back to as far as Ancient Egypt. [1] They are now primarily made in Cairo, Egypt, along what is known as the Street of the Tentmakers (Shari'a al-Khayamiyya, or Suq al-Khayamiyya) centered in the Qasaba of Radwan Bey, a historic covered market built in the ...
[1] [2] Under Umayyad patronage, Islamic architecture began to mature and acquire traditions of its own, such as the introduction of mihrabs to mosques, a trend towards aniconism in decoration, and a greater sense of scale and monumentality compared to previous Islamic buildings.
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