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Damask. Damask (/ˈdæmÉ™sk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [2] Fabrics used to create damasks include silk ...
Damascening. Damascening is the art of inlaying different metals into one another—typically, gold or silver into a darkly oxidized steel background—to produce intricate patterns similar to niello. The English term comes from a perceived resemblance to the rich tapestry patterns of damask silk.
Brocade. Silk brocade fabric, Lyon, France, 1760–1770. Detail of hair-sash being brocaded on a Jakaltek Maya backstrap loom. Brocade (/ broʊˈkeɪd /) is a class of richly decorative shuttle-woven fabrics, often made in coloured silks and sometimes with gold and silver threads. [1] The name, related to the same root as the word "broccoli ...
The only survival of such work on the largest scale, the enormous Bayeux Tapestry (incomplete at 0.5 by 68.38 metres or 1.6 by 224.3 ft) is wool embroidered on a plain linen background, and not technically a tapestry at all. However smaller scale figurative hangings and clothes in silk are mentioned.
White figured linen damask: From the 15th to the beginning of the 19th century, 1962; van Ysselsteyn, G. T. (1969). Tapestry, the Most Expensive Industry of the 15th and 16th Centuries: a Renewed Research Into Technic, Origin and Iconography. Van Goor. De wandtapijten in het stadhuis van Maastricht (The tapestries in the Town Hall of Maastricht ...
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced ...
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