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Vis·ta·vi·sion
/ˈvistəˌviZHən/noun
- 1. a form of widescreen cinematography employing standard 35 mm film in such a way as to give a larger projected image using ordinary methods of projection. trademark in US
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VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and ...
List of VistaVision films. The following is a list of films filmed using the VistaVision process. Titles in bold are black-and-white films.
Mitchell VistaVision camera - Production camera for sound shooting using Paramount's VistaVision process (The Ten Commandments, 1956 and later). Earlier VistaVision productions used converted Stein and/or converted Technicolor three-strip cameras.
VistaVision died out for feature production in the late 1950s with the introduction of faster film stocks, but was revived by Industrial Light & Magic in 1975 to create high quality visual effects for Star Wars and ILM's subsequent film projects.
Hitchcock used VistaVision, a non-anamorphic widescreen process developed by Paramount Pictures and Technicolor which could be adjusted to present various flat aspect ratios. Types. Masked (or flat) widescreen was introduced in April 1953.
Just as VistaVision had a few flagship engagements using 8-perf horizontal contact prints and special horizontal-running projectors, there is a bit of evidence [citation needed] that horizontal prints were envisioned for Technirama as well (probably with 4-track magnetic sound as in CinemaScope), but to what extent this was ever done ...
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3 ...
VistaVision cameras installed with motion-control technology were used for the photography of the live-action scenes, which would be composited with animation. Rubber mannequins of Roger Rabbit, Baby Herman, and the Toon Patrol portrayed the animated characters during rehearsals to teach the actors where to look when acting with "open air and ...
VistaVision took a simplified, low-cost approach to stereophonic sound; its Perspecta system featured only a monaural track, but through subaudible tones, it could change the direction of the sound to come from the left, right or both directions at once.
Computer vision is an interdisciplinary field that deals with how computers can be made to gain high-level understanding from digital images or videos. From the perspective of engineering, it seeks to automate tasks that the human visual system can do.
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