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  2. Okir - Wikipedia

    en.wikipedia.org/wiki/Okir

    A Maranao kubing jaw harp handle made from horn and brass with an S-shaped naga design and a fish. The origins of okir are pre-Islamic.They are believed to have originated from the much earlier okil or okil-okil decorative carving traditions of the Sama (Badjao) people, which are often highly individualistic and rectilinear.

  3. Kanzashi - Wikipedia

    en.wikipedia.org/wiki/Kanzashi

    Strip-like metal hair ornaments seen at the back of some hairstyles, hanging down from the central bun. Both maiko, tayū and oiran re-enactors wear miokuri, with the miokuri of courtesans being longer and curled up at the end. Miokuri are usually plain red or silver, though some may feature designs. Tachibana kanzashi (橘簪)

  4. Christmas ornament - Wikipedia

    en.wikipedia.org/wiki/Christmas_ornament

    Blown glass baubles for sale in Tlalpujahua, Michoacán, Mexico.The town is known for its production of Christmas ornaments. [3] A fully decorated Christmas tree. The first decorated trees were adorned with apples, [4] white candy canes, and pastries in the shapes of stars, hearts and flowers.

  5. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.

  6. Earring - Wikipedia

    en.wikipedia.org/wiki/Earring

    Holmes, Anita, Pierced and Pretty: The Complete Guide to Ear Piercing, Pierced Earrings, and How to Create Your Own, William Morrow and Co., 1988. ISBN 0-688-03820-4 Jolly, Penny Howell, "Marked Difference: Earrings and 'The Other' in Fifteenth-Century Flemish Artwork," in Encountering Medieval Textiles and Dress: Objects, Texts, Images ...

  7. Cartouche (design) - Wikipedia

    en.wikipedia.org/wiki/Cartouche_(design)

    He tried to include in his own buildings qualities that he described as 'inclusion, inconsistency, compromise, accommodation, adaptation, superadjacency, equivalence, multiple focus, juxtaposition, or good and bad space.' [24] Venturi encouraged 'quotation', which means reusing elements of the past in new designs. Part manifesto, part ...

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