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Color scheme. In color theory, a color scheme is a combination of 2 or more colors used in aesthetic or practical design. Aesthetic color schemes are used to create style and appeal. Colors that create a harmonious feeling when viewed together are often used together in aesthetic color schemes. Practical color schemes are used to inhibit or ...
In the RGB model, the primary colors are red, green, and blue. The complementary primary–secondary combinations are red – cyan, green – magenta, and blue – yellow. In the RGB color model, the light of two complementary colors, such as red and cyan, combined at full intensity, will make white light, since two complementary colors contain ...
In optics, violet is a spectral color: It refers to the color of any different single wavelength of light on the short wavelength end of the visible spectrum (between approximately 380 and 435 nanometers), [16] [17] whereas purple is the color of various combinations of red, blue and violet light, [5] [6] some of which some humans perceive as ...
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as Color science. While there is no clear distinction in scope ...
Purple is a color similar in appearance to violet light. In the RYB color model historically used in the arts, purple is a secondary color created by combining red and blue pigments. In the CMYK color model used in modern printing, purple is made by combining magenta pigment with either cyan pigment, black pigment, or both.
Fuchsia (/ ˈfjuːʃə /, FEW-shə) is a vivid pinkish-purplish- red color, [ 1 ] named after the color of the flower of the fuchsia plant, which was named by a French botanist, Charles Plumier, after the 16th-century German botanist Leonhart Fuchs. The color fuchsia was introduced as the color of a new aniline dye called fuchsine, patented in ...
Impossible color. The human eye's red-to-green and blue-to-yellow values of each one-wavelength visible color [citation needed] Human color sensation is defined by the sensitivity curves (shown here normalized) of the three kinds of cone cells: respectively the short-, medium- and long-wavelength types. Impossible colors are colors that do not ...
Multicolor and High resolution 16-color graphic modes, from 121-color master palette (black and 15 hues by 8 luminosity levels). Amstrad CPC (1984) Low 16-, medium 4- and high resolution 2-color graphic modes (160, 320 and 640 × 200 pixels), from 27-color master palette (3 levels for each of red, green and blue).
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