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Paul Cézanne did not use orange pigment, but produced his own oranges with touches of yellow, red and ochre against a blue background. Toulouse-Lautrec often used oranges in the skirts of dancers and gowns of Parisiennes in the cafes and clubs he portrayed. For him, it was the colour of festivity and amusement.
(Jeremiah 6:19–20) Jeremiah was also aware of sheet silver, exemplifying the malleability and ductility of the metal: "Silver spread into plates is brought from Tarshish, and gold from Uphaz, the work of the workman, and of the hands of the founder: blue and purple is their clothing: they are all the work of cunning men." (Jeremiah 10:9) [62]
Certain colours – red or similar colours such as purple, pink, and orange – tend to cause more problems and damage compared to other colours. [135] Red ink has even caused skin and flesh damages so severe that the amputation of a leg or an arm has been necessary. If part of a tattoo (especially if red) begins to cause even minor troubles ...