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Around the same time, a pattern called Boteh was gaining popularity in Iran; the pattern was a floral design, and was used to represent elite status, mostly serving to decorate royal objects. [11] The pattern was traditionally woven onto silk clothing using silver and gold material. [ 11 ]
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [ 1 ] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Short visual history of furniture styles (from left to right): cloisonné plaque (), Chair of Reniseneb (Ancient Egyptian), metal brazier with satyrs from Pompei (Greco-Roman), fall-front cabinet inlaid with ivory (), low-back armchair (), casket with images of Cupids (), wood and ivory furniture fragment (), chest (), analogion (Romanian Medieval), sideboard with two bodies (Renaissance ...
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
[12] [14] The system of clothing patterns was however established in the Han dynasty, where the types and the number of ornaments was regulated based on a person's ranks. [12] In the Sui dynasty , the twelve ornaments were reserved for the Emperor exclusively; Emperor Yang Sui established a system which defined the exact location of these ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
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