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Damask (/ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [2]
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She developed her own loom, but usually others did the weaving while Jung concentrated in design and improving the weaving technique. Jung was considered by her contemporaries as the reformer of damask and her weaving as the renaissance of the damask art.
Linen products associated with Jacquard weaving are linen damask napery, Jacquard apparel fabrics and damask bed linen. Jacquard weaving uses all sorts of fibers and blends of fibers, and it is used in the production of fabrics for many end uses.
Weaving today consists mainly of plain linens for niche, top-of-the-range, apparel uses. Linen damask weaving in Ireland has less capacity, and it is confined at very much the top end of the market for luxury end-uses.
The weaving community supplied materials for both the Imperial Courts and the samurai lords. This increased their productivity, leading to improvements in the production process and the ability to create new fabrics, such as the gold brocades and damask silks that had originated in Ming Dynasty China.
She is regarded as a pioneer within the damask weaving technique of Gotland. She married a farmer of Roma parish of Gotland in 1822. When her spouse was ruined, they moved to her parents, and she began to weave and sell damask to support the family. In 1832, she advertised that she manufactured damask for commission and accepted pupils in the art.
Schenau was born in 1737, the son of Elias Zeissig and Anna Elisabeth (née Paul), poor Damask weavers, of Großschönau, near Zittau in Saxony. Together with his five sisters, he was tutored by his father in arithmetic, writing, reading and also learnt the trade of Damask weaving.
Chinese art by medium and technique. Xiao Yan, Martial Emperor of Liang, ca. 700 AD, National Palace Museum, Taipei. Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or ...
Brocade. Silk brocade fabric, Lyon, France, 1760–1770. Detail of hair-sash being brocaded on a Jakaltek Maya backstrap loom. Brocade [brōˈkād] is a class of richly decorative shuttle-woven fabrics, often made in coloured silks and sometimes with gold and silver threads. [1] The name, related to the same root as the word "broccoli", comes ...
