Search results
Results from the WOW.Com Content Network
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries.
Owen Jones (15 February 1809 – 19 April 1874) was a British architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. [1] He helped pioneer modern colour theory, [2] and his theories on flat patterning and ornament still resonate with contemporary designers today.
Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the Akademischer Verband für Literatur und Musik in Vienna. The essay was then published in 1913 in Les Cahiers d’aujourd’hui in French as Ornement et Crime. Only in 1929 was the essay published in German in the Frankfurter Zeitung, as ...
Decorative arts. The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms ...
Celtic art. The reverse side of a British bronze mirror, 50 BC – 50 AD, showing the spiral and trumpet decorative theme of the late "Insular" La Tène style. Muiredach's High Cross, Ireland, early 10th century. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to ...
It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great.
Palmette. Page in which appear various illustrations of palmettes, from A handbook of Ornament by Franz Meyer (1898) Etruscan architectural plaque with palmettes, from late 4th century BC, painted terracotta, in the Metropolitan Museum of Art, New York City. The palmette is a motif in decorative art which, in its most characteristic expression ...
Ceramic painted ornament also reflects originals of metal, and some scraps of thin bronze plate embossed with rows of knobs and lightly engraved in hatched or zig-zag outline doubtless represent the art which the newcomers brought with them to Greek lands.
Understanding these ornaments is important for historically informed performance and understanding the subtleties of different types of music. This list is intended to give basic information on ornaments, with description and illustrations where possible.