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The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple (hue rendering), the color historically used by Roman and Byzantine emperors.
The color byzantium is a dark tone of purple. The first recorded use of byzantium as a color name in English was in 1926.
According to Kodinos, the emperor bore special boots (tzangia) with eagles made of pearls on both shins and on the instep; the Despots wore similar boots of white and purple, and featured pearl-embroidered eagles on their saddles, while the saddle cloth and their tents were white decorated with red eagles.
As in Graeco-Roman times, purple was reserved for the royal family; other colours in various contexts conveyed information as to class and clerical or government rank. Lower-class people wore simple tunics but still had the preference for bright colours found in all Byzantine fashions.
'purple-born'), Latinized as Porphyrogenitus, was an honorific title in the Byzantine Empire given to a son, or daughter (Πορφυρογέννητη, Porphyrogénnētē, Latinized Porphyrogenita), born after the father had become emperor.
Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, or imperial dye, is a reddish-purple natural dye. The name Tyrian refers to Tyre, Lebanon, once Phoenicia.
Purple was the color worn by Roman magistrates; it became the imperial color worn by the rulers of the Byzantine Empire and the Holy Roman Empire, and later by Roman Catholic bishops. Similarly in Japan , the color is traditionally associated with the emperor and aristocracy.
The term porphyry is from the Ancient Greek πορφύρα (porphyra), meaning "purple". Purple was the colour of royalty, and the Roman "imperial porphyry" was a deep purple igneous rock with large crystals of plagioclase. Some authors claimed the rock was the hardest known in antiquity.
The Roman poet Nemesianus wrote a typical description of Diana: She carried a bow and a quiver full of golden arrows, wore a golden cloak, purple half-boots, and a belt with a jeweled buckle to hold her tunic together, and wore her hair gathered in a ribbon.
Her thesis discussed light and colour in Byzantine art and was entitled Colour Perception in Byzantium. Upon completion, she embarked on postdoctoral fellowships, notably at the Barber Institute . In 1993 she joined the University of Sussex .