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In amniotes, the clitoris (/ ˈ k l ɪ t ər ɪ s / ⓘ KLIT-ər-iss or / k l ɪ ˈ t ɔːr ɪ s / ⓘ klih-TOR-iss; pl.: clitorises or clitorides) is a female sex organ. [1] In humans, it is the vulva's most erogenous area and generally the primary anatomical source of female sexual pleasure. [2]
A kylix depicting Silenus having sex with a fawn, dated after 500 BC. Roman oil lamp dating from 1st–3rd century AD depicting a zoophilic act. The historical perspective on zoophilia and bestiality varies greatly, from the prehistoric era, where depictions of bestiality appear in European rock art, [6] to the Middle Ages, where bestiality was met with execution.
This implies that animals can have the same generic names as plants (e.g. there is a genus Abronia in both animals and plants). The rules and recommendations have one fundamental aim: to provide the maximum universality and continuity in the naming of all animals, except where taxonomic judgment dictates otherwise.
The usual recommendation for those needing iseikonic correction is to wear contact lenses. The effect of vertex distance is removed and the effect of center thickness is also almost removed, meaning there is minimal and likely unnoticeable image size difference. This is a good solution for those who can tolerate contact lenses.
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
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Horror fusionis is a rare condition and normally appears only in patients who have been treated by means of surgery or other interventions. [2] Attempts to achieve stereoscopic vision, in particular anti-suppression therapy and other orthoptic exercises, may lead to double vision as undesired side effect, in particular also to horror fusionis.
The word is derived from the Greek prefix ana-, meaning "back" or "again", and the word morphe, meaning "shape" or "form". Extreme anamorphosis has been used by artists to disguise caricatures , erotic and scatological scenes, and other furtive images from a casual spectator, while revealing an undistorted image to the knowledgeable viewer.