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In The Byzantine Rite practice of the Eastern Orthodox and Greek Catholic churches, the stole worn by a deacon is called an orarion, while that worn by a priest or bishop is called an epitrachelion (a bishop additionally wears an omophorion), all similar in meaning and use to the Western stole. In Greek Orthodox practice, the deacon wears a ...
Christian empires, such as the Kingdom of Georgia, which became a Christian state in AD 337, adopted Christian symbolism in its flag. [2] Likewise, the flags of the Byzantine Empire often depicted "a bowl with a cross, symbol[ic] of the Byzantine worldly domination for centuries and of the ecumenical mission to spread Christianity to all the ...
The meaning of the dome has been extensively analyzed by architectural historians. According to Nicola Camerlenghi, it may not be possible to arrive at a single "fixed meaning and universal significance" for domes across all building types and locations throughout history, since the shape, function, and context for individual buildings were determined locally, even if inspired by distant ...
The Chi-Rho symbol was used by the Roman Emperor Constantine the Great (r. 306–337 AD) as part of a military standard . Constantine's standard was known as the Labarum. Early symbols similar to the Chi Rho were the Staurogram and the IX monogram ().
Fabrics dyed in the current era from different species of sea snail. The colours in this photograph may not represent them precisely. Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, or imperial dye, is a reddish-purple natural dye.
Byzantium (/ b ɪ ˈ z æ n t i ə m,-ʃ ə m /) or Byzantion (Ancient Greek: Βυζάντιον) was an ancient Greek city in classical antiquity that became known as Constantinople in late antiquity and Istanbul today.
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]