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The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple (hue rendering), the color historically used by Roman and Byzantine emperors.
According to Kodinos, the emperor bore special boots (tzangia) with eagles made of pearls on both shins and on the instep; the Despots wore similar boots of white and purple, and featured pearl-embroidered eagles on their saddles, while the saddle cloth and their tents were white decorated with red eagles.
Tyrian purple (Ancient Greek: πορφύρα porphúra; Latin: purpura), also known as royal purple, imperial purple, or imperial dye, is a reddish-purple natural dye. The name Tyrian refers to Tyre, Lebanon, once Phoenicia.
Purple was the color worn by Roman magistrates; it became the imperial color worn by the rulers of the Byzantine Empire and the Holy Roman Empire, and later by Roman Catholic bishops. Similarly in Japan , the color is traditionally associated with the emperor and aristocracy.
The color byzantium is a dark tone of purple. The first recorded use of byzantium as a color name in English was in 1926.
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge , it is used with the concept of an empire . Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire , originally a dynastic emblem of the Palaiologoi .
The star and crescent is a symbol which is a conjoined representation of a crescent and a star. It is used in various historical contexts, including as a prominent symbol of the Ottoman Empire, and in contemporary times, as a national symbol by some countries, and as a symbol of Islam.
Early Byzantine coins continue the late Greco-Roman conventions: on the obverse the head of the Emperor, now full face rather than in profile, and on the reverse, usually a Christian symbol such as the cross, or a Victory or an angel (the two tending to merge into one another).
Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics , paintings, small statues and illuminated manuscripts . [1]
As in Graeco-Roman times, purple was reserved for the royal family; other colours in various contexts conveyed information as to class and clerical or government rank. Lower-class people wore simple tunics but still had the preference for bright colours found in all Byzantine fashions.
