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Color symbolism in art, literature, and anthropology refers to the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [1] and even within the same culture in different time periods. [2] The same color may have very different associations within ...
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy. The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
Main article: Han purple and Han blue. Han purple and Han blue were synthetic colors made by artisans in China during the Han dynasty (206 BC to 220 AD) or even earlier. Han purple is a type of artificial pigment found in China between 500 BC and AD 220. It was used in the decoration of the Terracotta Army .
Purple is a color similar in appearance ... ambition, magic, mystery, piety and spirituality. ... it is likely to be inconsistent in the use and meaning of the two ...
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. Traditionally, spirituality referred to a religious process of re-formation which "aims to recover the original shape of man", oriented at "the image of God" as exemplified by the founders and sacred texts of the religions of the world.
In the 18th century, purple was a color worn by royalty, aristocrats and other wealthy people. Good-quality purple fabric was too expensive for ordinary people. The first cobalt violet, the intensely red-violet cobalt arsenate, was highly toxic. Although it persisted in some paint lines into the 20th century, it was displaced by less toxic ...
Lydia of Thyatira and Philippi. The name, "Lydia", meaning "the Lydian woman", by which she was known indicates that she was from Lydia in Asia Minor. Though she is commonly known as "St. Lydia" or even more simply "The Woman of Purple," Lydia is given other titles: "of Thyatira," "Purpuraria," and "of Philippi ('Philippisia' in Greek)."