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A 6th–7th century necklace of glass and ceramic beads with a central amethyst bead. Similar necklaces have been found in the graves of Frankish women in the Rhineland. A 6th century bow fibula found in north-eastern France and the Rhineland. They were worn by Frankish noblewomen in pairs at the shoulder or as belt ornaments.
Most float glass is soda–lime glass, but relatively minor quantities of specialty borosilicate [57] and flat panel display glass are also produced using the float glass process. The success of this process lay in the careful balance of the volume of glass fed onto the bath, where it was flattened by its own weight. [ 58 ]
The Custom House, viewed from Custom House Quay. In 1714 Greenock became a custom house port as a branch of Port Glasgow , and for a period this operated from rooms leased in Greenock. Receipts rose rapidly with the expansion of colonial trade, and in 1778 the custom house moved to newly-built premises at the West Quay of the harbour.
Eleanor Velasco Thornton posing next to Montagu's Silver Ghost, circa 1911. On the bonnet is seen the Spirit of Ecstasy.. The Spirit of Ecstasy, also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the ...
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
The glass used was crystal and seven colors of glass: amber, blue, green, pink, amethyst, brown, and ruby. Among Jamestown stemware, ruby is valued higher than other colors by collectors. [ 80 ] Among the milk glass patterns, Vintage was used for tableware and a few types of stemware from 1958 to 1965.
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