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La Faute de l'Abbé Mouret. Au Bonheur des Dames (French pronunciation: [obɔnœʁ deˈdam]; The Ladies' Delight or The Ladies' Paradise) is the eleventh novel in the Rougon-Macquart series by Émile Zola. It was first serialized in the periodical Gil Blas from December 17, 1882 to March 1, 1883; and published in novel form by Charpentier in 1883.
Émile Édouard Charles Antoine Zola (/ ˈ z oʊ l ə /, [1] [2] also US: / z oʊ ˈ l ɑː /, [3] [4] French: [emil zɔla]; 2 April 1840 – 29 September 1902) [5] was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. [6]
La Débâcle. La Débâcle (1892), translated as The Debacle and The Downfall, is the penultimate novel of Émile Zola's Les Rougon-Macquart series, which first appeared as a serial in La Vie populaire [fr] from 21 February to 21 July 1892, [1] before being published in book form by Charpentier. The story is set against the background of the ...
L'Assommoir, published as a serial in 1876, and in book form in 1877, is the seventh novel in Émile Zola's twenty-volume series Les Rougon-Macquart.Usually considered one of Zola's masterpieces, the novel — a study of alcoholism and poverty in the working-class districts of Paris — was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world.
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La Fortune des Rougon (The Fortune of the Rougons), originally published in 1871, is the first novel in Émile Zola 's monumental twenty-volume series Les Rougon-Macquart. The novel is partly an origin story, with a large cast of characters - many of whom become the central figures of later novels in the series - and partly an account of the ...
Thérèse Raquin. Thérèse Raquin [teʁɛz ʁakɛ̃] is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine L'Artiste in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder were considered scandalous and famously described as "putrid" in a review ...
L'Œuvre is a fictional account of Zola's friendship with Paul Cézanne and a fairly accurate portrayal of the Parisian art world in the mid 19th century. Zola and Cézanne grew up together in Aix-en-Provence, the model for Zola's Plassans, where Claude Lantier is born and receives his education. Like Cézanne, Claude Lantier is a revolutionary ...