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  2. Literary theory - Wikipedia

    en.wikipedia.org/wiki/Literary_theory

    Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning.

  3. Theory of Literature - Wikipedia

    en.wikipedia.org/wiki/Theory_of_Literature

    1599846. Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic ". [1] The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years.

  4. Psychoanalytic literary criticism - Wikipedia

    en.wikipedia.org/wiki/Psychoanalytic_literary...

    Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud . Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.

  5. Identification (literature) - Wikipedia

    en.wikipedia.org/wiki/Identification_(literature)

    Identification refers to the automatic, subconscious psychological process in which an individual becomes like or closely associates themselves with another person by adopting one or more of the others' perceived personality traits, physical attributes, or some other aspect of their identity. [1] The concept of identification was founded by ...

  6. Todorov's narrative theory of equilibrium - Wikipedia

    en.wikipedia.org/wiki/Todorov's_narrative_theory...

    The narrative theory of equilibrium derives from narratology. This discipline examines story construction and its effect on human consciousness. Narratology perceives stories as sense-making mechanisms, which allow citizens to understand history, morality, and contemporary social structures.

  7. Objective correlative - Wikipedia

    en.wikipedia.org/wiki/Objective_correlative

    In literary criticism, an objective correlative is a group of things or events which systematically represent emotions. Theory [ edit ] The theory of the objective correlative as it relates to literature was largely developed through the writings of the poet and literary critic T.S. Eliot , who is associated with the literary group called the ...

  8. Formalism (literature) - Wikipedia

    en.wikipedia.org/wiki/Formalism_(literature)

    In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalistic approach reduces the importance of a text's historical, biographical, and cultural context.

  9. Esophoria - Wikipedia

    en.wikipedia.org/wiki/Esophoria

    Esophoria is an eye condition involving inward deviation of the eye, usually due to extra-ocular muscle imbalance. It is a type of heterophoria. Cause. Causes include: Refractive errors; Divergence insufficiency; Convergence excess; this can be due to nerve, muscle, congenital or mechanical anomalies.

  10. Horizon of expectation - Wikipedia

    en.wikipedia.org/wiki/Horizon_of_expectation

    Horizon of expectation" (German: Erwartungshorizont) is a term fundamental to German academic Hans Robert Jauss's reception theory. The concept is a component of his theory of literary history where his intention is to minimise the gulf between the schools of literature and history which have previously relegated the reader to play only a minor ...

  11. Dissociation of sensibility - Wikipedia

    en.wikipedia.org/wiki/Dissociation_of_sensibility

    Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay "The Metaphysical Poets". [1] It refers to the way intellectual thought was separated from the experience of feeling in poetry during the course of the seventeenth century.