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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Ornament is a periodical magazine that documents the history, art and craft of ancient, ethnic and contemporary jewelry and personal adornment. It presents and discusses a wide range of personal adornment and wearable art, including beads, jewelry, and clothing. [2]
In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures.
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A fleuron (/ ˈ f l ʊər ɒ n,-ə n, ˈ f l ɜːr ɒ n,-ə n /), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions.
Owen Jones (15 February 1809 – 19 April 1874) was a British architect. A versatile architect and designer, he was also one of the most influential design theorists of the nineteenth century. [1] He helped pioneer modern colour theory, [2] and his theories on flat patterning and ornament still resonate with contemporary designers today.